Opening
Program Program
I Program
II Program
III Program
IV Program
V Program
VI Program
VII Program
VIII Program
IX Program
X Program
XI Russian
Dance Film Competition
Closing Program
Program V, Part 1: Dance History:
Modern Dance during the Nazi Era
Dance
under the Swastika
52min,
2003, Germany
Director: Annette von Wangenheim
Choreographers/Dancers: Mary Wigman, Julia Marcus, Lilian Karina
and others
The film is presented in collaboration with WDR
Photo: Aurél von Milloss in "Petruschka“,
1940 © WDR/Savio
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Arguing that
politics and the arts are inevitably and necessarily entwined,
this is a rigorous and comprehensive (given its length) look
at many forms of dance under the Nazi regime from 1933 through
the bitter devastation at the end of WWII. Rich with archival
documentation, it includes glimpses of early New German Dance,
incredible mass spectacles of the 1936 Olympic festivities,
and wartime efforts to cheer and distract the populace with
glamour and cancans. Annette
von Wangenheim focuses on arguments within the
Nazi regime about the right use of dance, and on the fates of
key artists, interviewing former dancers Julia Marcus, Lilian
Karina and Gyp Schlicht. A contemporary work by Koni Hanft on
Expressionist Mary Wigman's relationship to Nazism frames a
history that considers how and why even founders of modern dance,
such as Wigman and Rudolph Laban, aligned themselves with, and
were initially supported by, the Nazis. Others like Karina and
Marcus, emigrated, ending their careers as dancers.
Program
V, Part 2: Dance History:
Pina Bausch in 2002
Saturday, November 13, 2004, 19:30, Stants'ia, St. Petersburg
Tuesday, November 23, 2004, 18:30, DOM, Moscow
Saturday, November 27, 2004, 15:30, TBA, Ekaterinburg
DAMEN
UND HERREN AB 65
70min,
2002, Germany
Director: Lilo Mangelsdorff
Choreographers: Pina Bausch
Jury Winner, Dance on Camera Festival, New York
Photo by Lilo
Mangelsdorff |
In 1998,
an ad appeared in the Wuppertal, Germany, newspaper inviting
seniors with no previous acting or dancing experience to audition
for parts in Pina Bausch's revival of her 1978 performance-piece
"Contact Zone." What happened to the 26 people who
responded to the ad and were ultimately chosen to participate
is the subject of "Ladies and Gentlemen Over 65,"
Lilo Mangelsdorff's expertly crafted documnetary.
Born
in Solingen in 1940, Pina Bausch
has been one of the most influential and controversial choreographers
and performance artists in the world. Her work has challenged
the formalist aesthetic of modern dance, inspired many generations
of dancers and choreographers, and provoked questions around
gender, violence, and society.(http://www.pina-bausch.de/biography.htm)
Opening
Program Program
I Program
II Program
III Program
IV Program
V Program
VI
Program
VII Program
VIII Program
IX Program
X Program
XI Russian
Dance Film Competition
Closing Program
© KinodanceRussia, 2004
akovgan@kinodance.com
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